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Interesting article from yahoo news [Apr. 4th, 2006|11:31 am]
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[music |David Bowie: Space Oddity]

Can Hong Kong Produce New Jackie Chan?
Monday April 3 8:42 AM ET

"The Matrix" and "Crouching Tiger, Hidden Dragon" action director Yuen Wo-ping fears that Hong Kong may not be able to produce another Jackie Chan or Jet Li.

Yuen said Monday Hong Kongers tend to shy away from the hard work that martial arts training entails.

"More people learn martial arts in China. Hong Kong doesn't have another generation of action stars. Many people don't want to learn martial arts because it's too hard," Yuen said on the sidelines of a tribute to action choreographers organized by the Hong Kong International Film Festival.

Chan's action prowess came from training at a Peking Opera school while Li was a national martial arts champion in China.

Yuen named Chinese newcomer Wu Jing, who played a vicious killer in the recent "Sha Po Lang," as a promising talent.

He also praised Donnie Yen, who choreographed "Sha Po Lang."

"His fundamentals are really good," Yuen said. "He's willing to rack his brains in designing new moves."

Yuen, whose Hollywood credits also include "Kill Bill," said U.S. filmmakers were drawn to Hong Kong action style because they can't reproduce the same moves.

"Their action sequences aren't as diverse as ours," he said.

Yuen said he is currently working on two U.S. projects, one set in modern day and the other revolving around Snow White. He did not give further details.

Monday's tribute also honored Chan, "Hero" action director Ching Siu-tung, "Martial Law" star Sammo Hung and Lau Kar-leung.

Hung said he's gratified that action choreographers are getting more credit these days.

"Many years ago action choreographers weren't recognized for their blood and sweat. Gradually there were prizes recognizing action design. Gradually we have been comforted," he said.



Any fellow fans of Hong Kong cinema might find this to be of interest.
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Comments:
[User Picture]From: [info]derelict_pariah
2006-04-05 05:26 am (UTC)

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get some new stars from taiwan and canada, that's where the martial artists are anyways.
[User Picture]From: [info]derelict_pariah
2006-04-09 12:52 am (UTC)

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hey before i get myself to film school and access to high end equipment, can you suggest a good somewhat affordable camera i can start investinging in. I just want something that records in high quality and easily transferable for editing on my laptop, any software you can suggest too would be apreciated.
[User Picture]From: [info]reilly_tyne
2006-04-10 02:04 am (UTC)

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Congrats on going to film school. Where are you going to go? I will say now; avoid a place here in Orlando called Full Sail. Their graduates give the film community a bad name. I have it on good authority that when Full Sail in on a resume; it is almost instantly thrown away. They are refered to as "Full Scam". That being said:

If you just want a camera to shoot small projects with; check out the bargain cams at Best Buy or Circuit City. You can usually a decent cam for under $500.

I've been working with Chris Morgan at Morgan Films. He bought a Panasonic 24p. They run a couple thousand. That's a little steep though (at least for me).

This is a drama we shot with the 24p, it's on Morgan Films profile: http://profile.myspace.com/index.cfm?fuseaction=user.viewprofile&friendid=28238835

As far as software goes; I've taken a liking to Adobe products. I worked mostly with Adobe at Florida Metropolitan University. The Adobe programs all network together extremely well. I'm particularly fond of Premiere's ability to export to Photoshop for rotoscoping. Then seamless reintegration to Premiere. For FX geek like me it's a godsend. From what I'm told Vegas is also really affordable and quite reliable. It was used to cut "The Sunday Affair". Please excuse my performance, I didn't get any rehearsal time in, so I'm very mush like Van Damme in my scene.

This by far the longest response I have ever written in my journal.

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